Swaddle Your Heart

Where do I go when I float?

Away from the frayed tentacles

Of memories and ligaments,

Strained from twisting, turning,

Child, they said, this hurts me

More than it hurts you. No.

I go back to moments and sit,

Quiet inside the hopelessness it’s

Good to remember this; to never forget

Lest I leave behind the reasons why

I fight until my brows ache.

You got lucky if you didn’t get raped.

It takes the soul away; flight, it

Wanders in dark nights and mires,

Like quicksand, it is the hand of

Every time we were violated

Again and again and again.

Rock with the sadness, my loves.

Hold it bravely in your tender arms,

Like a baby you can re-love the child;

The defiled despair living there

In the core that is shattered and torn.

Fly with the visions, sweet thrivers,

Take back your mind. Release the ghosts.

You are not that anymore; not the

Forgotten child in the chains

Of monsters and madness. No.

You face yourself in the mirror;

Command the past and swaddle

It into the depth of your soft heart.

Vennie Kocsis is the best-selling author of Cult Child and other publications. She is a also a poet and hostess of the podcast Survivor Voices Show.

The Girl In the Mirror

You loved me,” I said, “when I was at my lowest. Yet, I didn’t quite know you were loving me. I was in tears so many days. You held me. Together we traveled the tunnels of rewound memories, finding ourselves sometimes on clouds and others in quagmire. Through these times, these deep struggles, you were always there, even when I wasn’t aware of your presence. Now, as I look into your eyes, clear and concise, I am elated that you were patient. You waited. You got to know each part of me explicitly. We have grown into one moving energy, crafted through the moments I struggled to find you, calling you to please come to me as you were wandering. Today I am grateful. Today I say thank you. Thank you for returning to me; for finding me and being inside my wholeness.”

You’re welcome.” Replied the girl in the mirror.

Vennie Kocsis is the best-selling author of Cult Child and the hostess of Survivor Voices Show. She is an advocate, poet and artist.

Plasma and Jasmine

Babies are born to mothers
Who smother their faces
With kisses so in later years
They can reminisce about
The times they were loved,
Smile at pictures and haircuts
Remember what is; what was.

This distant, unknown feeling,
A Daughter to a host,
I cannot connect my soul,
Never recall the soft
Loving arms of her; she is
Fog wisps blowing distant
Narcissistic and wounded.

Not everything on this terrain
Is born and grown the same.
We were children being hurt,
Seen and not heard,
Dissociated to white clouds,
Horses and song birds but
We never heard the words.

No encouragement, you see
We were the scourge of earth,
Sinners and whores and
The bearer of scars from
Battles and wars with
The worst of humanity.
When you have seen
With the eyes the way
A spirit can die slowly
You never view this place
The same; in a way
The Loved observe.

Soft, the colors speak
In languages, singing,
And suddenly the layers fade
Nothing matters, not the
Tatters of Aftermath or
The worn out Disasters;
Life is lived floating
Inside the hoping like
Plasma and Jasmine
Swaying in the winds.

Vennie Kocsis is the best-selling author of Cult Child and the hostess of Survivor Voices Show. She is an advocate, poet and artist.

The Outhouse and a Sears Magazine

When I was a child growing up on Sam Fife’s cult compound in Alaska, we did not have electricity or plumbing. As a result, we used the bathroom in chamber pots and outhouses. We also did not have toilet paper. Our toilet paper was often a Sears magazine with anything that wasn’t “proper” for us to see torn out of it.

We would rip out a couple of pages, sitting bare butted on top of a wooden hole, softening the glossy paper with our hands so that we could wipe as gently as possible.

I also had a severe fear that a demon would rise from the pile of human manure and snatch me down into the outhouse hole.

It was here, that I would find the toy sections of the magazine, and I would see what all the of the kids outside of the compound were getting to play with. These toys were considered evil commodities for they fed the wants and desires of the flesh; to want to play and enjoy doing it. For all “play” and attention should be only on God and what he wanted for our lives.

Yet, they left those pages in the magazine for us children to have to use as toilet paper after stealing a few seconds to dream of what could be.

So I used these pages to clean my body, dropping them to float down into a mound of lime covered feces, urine and other, already melting pages.

Your face crinkles as you read this.

Gross“, you say.

Yes. The smell covers you, rancid and fuming, even with the lime to help counter it.

When we finally got toilet paper around 1981, it was rationed. Families were given toilet paper rolls based on how many people were in their family. Then the toilet paper roll itself was rationed.

One square for number one and two squares for number two.”

The rule of thumb in regards to the use of toilet paper.

We live in this society who doesn’t understand what’s it’s like to be without even the smallest of things like toilet paper and baby wipes, diapers and showers, toilets that flush and electricity; even the freedom to be exactly who we want to be if we so choose.

Toilet meditations often reveal a lot.

I’m grateful as fuck for toilet paper and toilets that flush. Not because of third world countries who don’t have them, but because I lived a third world childhood in a first world country that was and still is so focused on third world issues that the citizens of America never pay attention to the horror children endure here in their own camp.

and for the most part, they still aren’t.

I’m done dealing with humans who claim co-consciousness and oneness or follow religions that claim to be based out of love yet are the same people supporting things like hitting children. They call it discipline. I call it abuse that damages the spinal column.

Oh, that’s just science. What do they know… unless you’re dying. Then you care about science.

Yes, I’m talking directly to you.

How can anyone be love in any way while at the same time finding a reason to support hitting, neglecting or harming the most innocent and defenseless humans on the planet?

This oxymoron of take and shut down are like gnats.

I realized today in a big way, how much humans are stuck in duality; how they think they know all, and yet, if they silenced themselves to listen, if they read the voices of us survivors who have written out our experiences, they would understand how deeply they must open their minds in order to truly bring this planet to a place of peace.

They’d understand why people like me, are grateful for toilet paper, why we fight against mind control and shorten our allowance arena.

Until you’ve lived with nothing. Until you’ve carried the scars of a shattered sacrum from too many childhood spankings, memories of outhouses and dumping chamber pots into potty dump holes, working through aching bones, untreated split skin and bruises, you can’t know. You lived a life of electricity, television and secular luxuries like getting to go to grocery stores.

Until you’ve had that all stripped from you and lived wiping yourself with magazine pages holding treasures you can never have, oh, dears, you cannot know. You can only accept and ask yourself why you can’t open your mind to care.

Be grateful for toilet paper.

Ants At the Symphony 

I am back in my high school town. Although there are no beaches in Martin, TN, I am perched, legs crossed, in front of one. This small beach boasts crystal clear, soft blue water rolling in with a slow, tender tide. I am sitting in an ancient stone colosseum. It is as if it was lifted from a fallen city and placed where it grandly sits now.

I am wearing an elegant black dress, shoulderless and simple. I glance down at my toes, perfectly painted deep blue and tucked inside of toeless, black heels. My hair is coifed and sprayed perfectly in place. I am grandly dressed for the symphony.

I am perched alone on one of the stone benches, closest to the stage which has been set up with the beautiful beach as scenery behind it. On stage is a large orchestra filled primarily with strings.

The music surrounds me. I close my eyes, feeling the soft embrace of the cello and the haunting tears of the violin strings.

Suddenly my right forearm begins to itch. I look down and see a red bump close to my wrist. It looks like I have been bitten by a mosquito. I scratch the bump, and when I do, the skin lifts and ants come scattering out of the hole in droves, covering my wrist and hand.

I panic.

I wake up.

It’s coming out.

Born Crazy: A Video Poem

You’re crazy.”

How often have you heard this phrase thrown around, either flippantly, in jest or to victim blame someone who has overcome or is recovering from abuse?

I heard this often as a post-cult teenager and well into my adult years. While I was actually dealing with the behavioral aftermath of being an extremely abused child, instead of receiving support, caring and nurturing I was told that I was crazy. When a child is told enough times that they’re mind is insane, we begin to believe it.

This poetry piece is from my spoken word album, Dusted Shelves, which is available on Amazon in paperback and c.d. Written in 2013, it is a representation of a life by which I was conditioned to believe that I was crazy.

Some abuse survivor work is considered to be dark and oddly psychotic. This piece would fall under that theme.

**Trigger Warning for those who are sensitive to these themes**

Born Crazy

Collaborator No More 

Don’t ask me to collaberate unless there’s compensation, and that compensation has to be given to me first.  I’ve been burned more than not in the area of collaborating. Giving my time and talents over to anyone is a privilege.  My gifts have value.

Collaborators are interesting creatures.  They love bomb like this:  “Vennie you’re the greatest (flattery, flattery, flattery) I’d love for you to (write/paint/sing for me)!”

In the past, my response was to trust, have ethics and step up to the plate in the exchange.  Until…

Weeks later… The collaborator had their shit from me (because I followed through with what I said I was going to do), and I had… Nothing in return. Then suddenly their love bombing disappeared, the collaborator conveniently doesn’t know me anymore and pays no more attention to my work.  They have moved on to their next victim.   They are in the business of extraction.

So when people ask me to collaberate the answer is no unless there is direct compensation.

I am sure many creatives can relate to this type of scenario. Creative exchange should be an equal flow.  Not one side using the other.

Creatives who have gone Hollywood are a turn off to me.  They are stripped of ethics and swept up into the pattern of using and discarding people. They care only about notoriety.  Where is the passion when art becomes emotional and financial greed?  We creatives should receive compensation, of course.   But when creatives use other creatives, that is not collaboration.  That is piranha ass hattery.

Erykah Badu said that once a creative gives their gifts away it doesn’t belong to them anymore.  I agree.   I give away my words every day.  I bare my soul.  I risk plagiarism, and it doesn’t matter because I’m connecting with lives.  I do so by choice.

But don’t ask me to work on your project for free.  My free time is already invested into the stock of Vennie.