The Runner

You see, every time I fall you leave, and I am here, bandaging new wounds, layering on salve to make the pain dispel.  

You have a story for every empty space. I sit with black abysses in mason jars, overlooked, a puppeteer with the strings cut. You can’t understand the intricacy of these caves. Your legs cannot withstand the waves. So, I run away. 

Leaving has always been easy. I found happy a home in the woods where we roam alone. Strength has gathered. Sight is so keen there are sometimes too many dimensions being gleaned. Another memory for the pages. More words for the prose. 

I become a memory incapable of duplication; that “crazy girl” you used to know, until one day you looked up, stunned at how high she would rise.  

Does Your Tribe Consist Of Warriors?

I am rising. So the people in my circle must be warriors. To be close to me one must contain and maintain the passion to fight for me just as I adhere myself close to you. I will go to battle to protect you.

My army is small, yet impenetrable. Everyone outside of it is a molecular extension. Loyalty is pertinent during these times. To be accepted into the most sacred of my innner space one must be ascended and vetted, mind, body and spirit.

I look around me. I am there. Each person inside of my life loves me loyally. Each person would say no, she is good, she is my friend, my mother, my sister and my daughter.

There is no dramaturgy playing violin strings or symphonies. All are at peace with being. Each who we are. Witch. Warlock. Children of the Stars. Daughters of the Moon. Sisters to the tree leaves. Shapeshifters. Love Givers. Moniceptors. Otherkin. Indigos. Crystals. We are at differing levels of growth actualization. We are varying age dimensions. We are a wise and skilled tribe.

There is a summer awaiting fingers debating word phrases as I disengage from the grid and go in. In the meantime, I hold you at distances. Not because I don’t love you. It is because I don’t trust you. “Who me?” If you’d like to apply it feel free. Trust is not given. It is earned. The world can burn tomorrow, and the hollow earth can explode. Wars can be waged and chemicals sprayed. Who will be there to hold you?

You will know, when at your worst you become your best. So observe the words returned, the lines unspoken, the invisible fences which rush electricity through your stomach without warning.

In these signs of the times who will be by your side? Only you decide.

Ruins Of a Forgotten City 

When I create art it is usually in random spaces of time surrounding emotional overflow which needs to be expelled. Free flow ability is an important element for me to be able to live a self-healthy lifestyle.

When a local woman came across my art and contacted me, she told me that she found my recurring theme of the anime warrior compelling in regards to her child, who has struggled with personal mental situations. As the mother shared why she wanted me to do a piece for her teenager, I could relate both as a mother myself and as the once raging teenager.

I was thrilled to find out that the teenager also loves anime, color and is sensitive to the world. I was even more excited when mom gave me creative freedom.

I really love coding pieces with positive elements and energy. There are patterns and codes in old sketches, in new paintings and even in old journals. This piece is filled with strength and self worth to be passed on to a young person who is struggling inside just like I did and still do.

I don’t do many pieces for others, so when I have the opportunity to do so, I feel humbled and honored. This one flowed and spilled out. The process was cathartic. I finished it feeling re-empowered in parts of myself.

I am an advent child, standing in the ruins of a forgotten city. I cherish everything.

Untitled
8 x 10 stretched canvas
Elements: acrylic, metallic oil acrylic and velvet

IMG_5147

When Writing Out Trauma Is Crippling

A wise person once said, “There are three things you should never share; your relationship, your finances and your next move.”

It has become a mantra for my life.   Years of being both vulnerable and held back at the wrong times have left me speculating my own judgment.  Being alone is safer, away from the possibility of re-victimization.

I learned harsh lessons as I grew up. With no boundaries to define danger or relationships I was tossed out of a childhood that had been riddled with abuse straight into the very society I had been trained to fear, hate and one day even war against in the name of God.

With blinders on, I ran towards everything I’d been taught was sin.  I bathed in it.  I dove inside of it like it was a swimming pool.  I became prey, a seal pup in an ocean full of sharks.

A couple of nights ago, while working on “Rise of Sila“, the sequel to “Cult Child“, I had to write a trauma memory.  I had to get into the details of it, part of them being a time my sister wore long sleeves to hide the bruises her rapist left on her upper arms.    When I was finished with the section, nausea swept through me quickly, suddenly and filled my mouth with water to the point I had to curl up on my bed and do focus breathing until it passed.

Fuck.”  I thought.  “It’s starting.”

This is what happened while I was writing “Cult Child“.  The trauma surfaced in waves, and with it came years of sporadic vomiting, night terrors, migraines, days in bed weeping, high peaks of anxiety and agoraphobia and a lot of deep isolation.

I smiled in selfies to post on the Internet. I spun on the positivity pole as if I was the poster child of survival, and I hid the reality of how crippling writing trauma is for me.

I thought I would feel some kind of relief after getting “Cult Child” out.   Yet, I didn’t.  I felt incredibly proud of myself that I had accomplished the project.  I also felt an extreme exhaustion that still lingers as I continue on.   I feel weakened.  I feel that I have only spilled out a sliver of the truth about the reality that was my childhood.

Last night I had a dream which rocked me. When I woke up this morning, the emotions of the dream came hazily with it bringing short, flash images of children milling about, a lot of confusion and an inability to grasp the rest of the images.  There are no worse dreams for me to have, than the ones which involve children.  They take the longest to shake from my eyes and the hardest to re-balance my heart from.   [Click here to visit my Dreamscape category where I document them.]

I am pushing myself, because this story must be told.  It has to be left behind so my sons and lineage will have documentation of their ancestral life.  I have to tell the truth for myself, hoping that maybe, just maybe, after I am finished, there will be some reprieve.

But, right now, in this moment, I just feel like avoiding.

A Progression From the 50’s to the 70’s

“A Progression from the 50’s to the 70’s” – an interactive, mixed media piece created to donate for a fundraising raffle. The base represents the ritualistic use of the checkered floor / secret mind control societies / using sex and pinups to sell product / starting wars while the people scream for peace / dropping bombs like confetti 

 

Streams Of Consciousness | 6.18.15

Your call tonight left me hollow / my chest is under bricks / breath heavy / I feel you separating / and I touched you for a time / like when I was a child / I admired you / now I lose you / again / you’re going back to them / back to the smothering caverns / so familiar / fear of the unknown / is greater / than the pain you’ve called home / so you choose / the lesser of the two / I am riddled with the loss of you / he will isolate your mind again / make the rest of us out to be villains / years will pass / and there will be the memories / of the few months we / laughed and planned / two girls once more / like before / we have always been / a family torn / can I hold this space / my arms are weary / and I am leery of losing / the strands of this heart / are violin strings / shorn from themselves / my skin sleeps but / the lump in my throat / says weep, girl, weep / this sadness runs so deep / I am a million pieces / each trying to figure it out / the turned down mouth / a smile lost / yet all is flat / no real tears yet / will they come? / maybe it’s time I go back / reclaim the coldness / so I don’t have to hold this / next time it will be worse / the hurt / it will beat you / until your knees shake / and you said you were done / with heartache / I wonder how much more / you’ll take / if you’ll outlive / the emotional rape / but I got a journey / I have to take / and I can’t stay, sweet sister / I can’t stay / holding space I gave / and still I love / still I yearn / as the tides turn / becoming the ash we burned / in the hopes that your loneliness / wouldn’t become excuses / and I must tarry on / with my mission / but first I must try / to cry / so the heaviness / will turn light / replaced by acceptance / but first / I gotta feel this

The Death of Ms. Hagley

I thought I’d feel reprieve;
some kind of soul relief
to find out she died,
crucified by slow breaths;
a painful death,

almost as scarring as
the beatings she left
on my extremities,
days in school while
everyone stared at me.

What does this mean
that I feel anger
she got to leave
before she stood and
faced accountability?

They’re all escaping,
age taking them down
minute by minute,
ticking time bombs,
their lips pursed with
the silence they’ve rehearsed.

Want to make a confession
before you try to enter
your imaginary heaven?

Did no wrong so
you’ve held on
to the denial,
shame,
the victim blame with
wings transparent
if not invisible as
they don’t exist
when you are
birthed from evil.

Into the dark matter sink,
buried in the
absence of light.

You go become midnight,
thick and airless,
no lungs or blood cells;
nothingness;
that be your hell.

I try to feel some
kind of way but I’m
filled with memories,
flat and frayed.

I’ll leave behind
written manifestos
of what you all did and
never confessed to.

With my head held high,
I will always tell the truth.
Now I can speak your name.
So the world can truly know you.

This be my sadistic story;
the one I deserve to scream
while the blaming arrives asking
what about her family?

I reply
what about me?

v.k poetry