Alabaster Possibilities

I sit in the silence
of a million swirling thoughts.
I don’t accept this separation, and
I chew on the assumptions
like they are the last supper.

I see ghosts pass me,
they flatter me by choice;
their words swirling like
raindrops that make my hair moist.

I am alive with decisions
as the voices whisper,
calling me to stay on path,
don’t get side tracked.”,
and I listen intently.

I kneel beside a flower.
She is starting to die.
I hold her lovingly
as her petals cry.
I wish to breathe for
every fish that has expired;
wish to Love for
every soul weary and tired.

I open my arms to
receive the Moon.
I am spiraling sunlight
where my skin is anew.
I let Love become me.
I am one with the leaves.
I look into the Mirror
to see the divinity in me.

There is a world around us.
It breathes and weeps.
It is filled with open wounds
from the pain that seeps.
Unable to feel hate only
passing disappointments,
which give way to forgiveness;
as I step through the gate
where Love awaits.

I hold moments in my palms
like diamonds of time
that teach me to smile
so the rough waters will calm.

I wash tears with compassion,
sprinkle relief on lowered faces,
I am passing out rations,
a taste of a new day.
I am touching momentary madness,
turning it into sanity,
where the children skip,
and the sadness becomes happy.

You bathe me in acceptance,
and for the first time ever,
awakened to my worth,
where actions blend with words;
where beauty comes
in forms of laughter
like alabaster bath houses,
where the skin is released
into the steaming sea;
where we Love freely;
because time has gifted us
infinite possibilities.

walk with me beside the ocean.
it’s been a while since we’ve spoken,
and i was hoping we could remember,
the days when we danced together.

(written in 2011)

Vennie Kocsis is the best-selling author of Cult Child and other publications. She is a also a poet and hostess of the podcast Survivor Voices Show.

When Writing Out Trauma Is Crippling

A wise person once said, “There are three things you should never share; your relationship, your finances and your next move.”

It has become a mantra for my life.   Years of being both vulnerable and held back at the wrong times have left me speculating my own judgment.  Being alone is safer, away from the possibility of re-victimization.

I learned harsh lessons as I grew up. With no boundaries to define danger or relationships I was tossed out of a childhood that had been riddled with abuse straight into the very society I had been trained to fear, hate and one day even war against in the name of God.

With blinders on, I ran towards everything I’d been taught was sin.  I bathed in it.  I dove inside of it like it was a swimming pool.  I became prey, a seal pup in an ocean full of sharks.

A couple of nights ago, while working on “Rise of Sila“, the sequel to “Cult Child“, I had to write a trauma memory.  I had to get into the details of it, part of them being a time my sister wore long sleeves to hide the bruises her rapist left on her upper arms.    When I was finished with the section, nausea swept through me quickly, suddenly and filled my mouth with water to the point I had to curl up on my bed and do focus breathing until it passed.

Fuck.”  I thought.  “It’s starting.”

This is what happened while I was writing “Cult Child“.  The trauma surfaced in waves, and with it came years of sporadic vomiting, night terrors, migraines, days in bed weeping, high peaks of anxiety and agoraphobia and a lot of deep isolation.

I smiled in selfies to post on the Internet. I spun on the positivity pole as if I was the poster child of survival, and I hid the reality of how crippling writing trauma is for me.

I thought I would feel some kind of relief after getting “Cult Child” out.   Yet, I didn’t.  I felt incredibly proud of myself that I had accomplished the project.  I also felt an extreme exhaustion that still lingers as I continue on.   I feel weakened.  I feel that I have only spilled out a sliver of the truth about the reality that was my childhood.

Last night I had a dream which rocked me. When I woke up this morning, the emotions of the dream came hazily with it bringing short, flash images of children milling about, a lot of confusion and an inability to grasp the rest of the images.  There are no worse dreams for me to have, than the ones which involve children.  They take the longest to shake from my eyes and the hardest to re-balance my heart from.   [Click here to visit my Dreamscape category where I document them.]

I am pushing myself, because this story must be told.  It has to be left behind so my sons and lineage will have documentation of their ancestral life.  I have to tell the truth for myself, hoping that maybe, just maybe, after I am finished, there will be some reprieve.

But, right now, in this moment, I just feel like avoiding.

Gail Treadwell, Author of “Holy Hell”

I had the privilege of meeting this author at a cult conference.  She is an amazing woman, and her book, Holy Hell, is riveting.  Many thanks to Gail for her review of Cult Child:

I found this book engaging and eloquently written. Even though it is written in the form of a novel, I consider it memoir material. The story is told through the eyes of an innocent child who endured years of abuse, and relied on her creative spirit, passion and connection with her inner world to survive. You will fall in love with this little girl’s feisty and vivacious spirit.

Fortunately, the author is using her hard earned life experience to draw attention to the devastating affects on children being raised in cults. They never had any say in the matter.

Vennie, I say bravo for your heartfelt and brave work.

Gail Tredwell
Author of Holy Hell: A Memoir of Faith, Devotion, and Pure Madness